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 Cassandra Rea 
5th 
November 2013 America’s Neighbor: New World 
Immigrants 
           
Despite the numerous amounts of individuals 
that have immigrated to the United States, there is a bold line of difference 
between the various immigrants which originates from what part of the world they 
came from. The Old World Immigrants pertains to immigrants from the Eastern 
Hemisphere of the world and the New World Immigrants are from the Western 
Hemisphere or America’s neighbor. Unlike Old World Immigrants who have no real 
ties to America before-hand, the New World Immigrant does, due to the fact that 
they are so close to America. The New World Immigrant involves Hispanics from 
Central America and Afro-Caribbeans from countries such as Haiti and Jamaica. In 
the majority of the narratives, there is that constant struggle of assimilating 
to the dominant culture as well as their outlook on previous experiences with 
America that help shapes their view of the country itself. Although they do 
indeed immigrate to the United States for a better life such as economic 
progress, basic human rights, and expectations for the next generation to 
succeed, they are different in the fact that the nearness of their home country 
makes it difficult for them to break with their homeland and the history of 
international exploitation with America gives negative preconceived notions. It 
is these similarities and differences that show a mixture of immigrant and 
minority narratives within the New World Immigrant cultural narratives. 
           
With the mixture of immigrant and minority 
narratives in the New World Immigrants narrative, it is important that the two 
terms must be established with a concrete value. An immigrant narrative involves 
a story of escaping the Old World and assimilating to the New World including 
its dominant culture. The story in itself is pretty simple, according to Cesar 
Cano who states that “immigrant cultures voluntarily leave their home country 
and move in search of a better life”. This is justified through the American 
Dream; the perception that immigrants have of America when immigrating to the 
New World. The immigrant narrative is very distinct in the fact that immigrants 
are choosing to come to the New World on their own unlike the minority narrative 
which deals with cultures that were already present or were forced to the New 
World such as slavery. The minority narrative implicates the opposite of the 
American Dream but rather the American Nightmare. Dorothy Noyes states that 
“minority groups did not seek this life, this stereotypical American dream is 
not theirs” but rather their unlucky hand in life. The minority narratives tend 
to show the pattern of resisting assimilation while the immigrant narrative 
tries desperately to assimilate to the dominant culture. That reason in itself 
is the major difference between the two types of narratives, and yet they both 
somehow mesh into a kind of new identity amongst the New World Immigrants.  
           
The New World Immigrant can be categorized 
into three different groups: Mexican Americans, other Latinos, and 
Afro-Caribbean’s. Each group presents their own new identity from the 
combination of the immigrant and minority narratives. Not only does the New 
World Immigrant present this new concoction of a unique type of narrative but 
they are also special in the sense that they are the largest wave of 
contemporary immigration. In recent decades there has been an increase of the 
New World Immigrant coming to the United States partially due to the fact that 
America is the New World Immigrant’s neighbor. Another distinctive quality that 
they present is the attitude within the narrative that adds a new flavor to the 
mix of narratives. It is unlike anything that has been read thus far in the 
class. This new flavor is apparent in Martin Espada’s
Coca-Cola and Coco Frio, “the fat boy 
wandered/from table to table/with his mouth open”(Lines 3-5), and in this poem 
there is a play on words that is unlike any other due to its bluntness as well 
as the humor that the cultural narratives have lacked in the past. Granted not 
all of the narratives have the humor but the candor and truths despite it being 
the ugly truth sings loud and clear within all of the cultural narratives from 
the New World Immigrant.  
           
Even though the New World Immigrant is its 
own exclusive category amongst Immigrant Literature, there is not just one 
cultural narrative that sums up the whole story of a certain cultural group but 
rather it is a piece of the puzzle to a bigger picture. 
The first group of the New World Immigrant is the Mexican Americans. This 
culture stands on its own due to the fact that the only thing that separates 
Mexico from America is a border or an imaginary line. They are literally back 
door neighbors to one another. This border also makes it difficult for this 
culture as well as the others to commit to the American nationality of the 
dominant culture and the struggle of wanting to stay loyal to their home 
country. An example of Mexican Americans being able to stand on their own and 
stay loyal to their culture appears in Nash Candelaria’s
El Patron when he describes the 
hierarchy of the family, “Dios, El Papa, y el patron. It is these that mere 
mortals bow” (IA 221). This quote in particular represents how there is no 
individual freedom but rather it is left up to the extended family hence the 
loyalty to the family. Another difficulty that Mexican Americans have is the 
struggle to commit to the dominant culture, which stands true in Gary Soto’s
Like Mexicans when his grandmother 
tells him “if you find a good Mexican girl, marry her of course” (PDF 302) but 
he falls in love with a Japanese woman thus in to which he has a hard time 
dealing with the repercussions that his family might not accept his choice. This 
also stands in part of how Soto’s story relates to the immigrant narrative by 
choosing intermarriage with another culture as opposed to staying within his own 
culture. But both of these cultural narratives showed signs of the minority 
narrative based on retaining their native tongue. They have not yet assimilated 
to the dominant culture but rather they are holding on to it so they stay loyal 
to their home.  
           
Another group that falls into the New World 
Immigrant is other Latinos which include immigrants from the Dominican Republic, 
Puerto Rico, and Cuba. It is this category in particular that some of the 
cultural narratives add that new flavor of humor such as Junot Diaz’s
How to Date a Browngirl… not only 
does this cultural narrative put a new attitude on the New World Immigrant 
narrative but it also shows the many examples of representing both the immigrant 
and minority narrative. Diaz relates to the immigrant narrative by talking about 
the type of girl he should marry, “white ones are the one you want the most” (IA 
277), here not only does he have the attraction to the dominant culture but also 
the idea of intermarriage. But he also expresses connection to the minority 
narrative when he explains how to not “tell her that your mom knew right away 
what it was, that she recognized its smell from the year the United States 
invaded your island” (IA 277). This connection in particular embodies the 
experience of involuntary contact as well as exploitation by the U.S. in their 
countries; in particular he is referring to U. S. military intervention of the 
Civil War in the Dominican Republic in 1965. It also shows a reason as to why 
they are ambivalent toward the dominant culture because of the tragedy they 
faced in their homeland. This is also prevalent in Oscar Hijuelos’s
Visitors, 1965 when he describes that 
“only in America…the days of the new technology: mushroom-cloud bombs and 
satellites and missiles”, here associating America with war and how they have 
powerful technology and frequently use it.  Despite 
the bad picture that Diaz portrays of America that relates to the minority 
narrative, there is also the bright light as well such as when his cousins have 
emigrated from Cuba to escape the communist regime. His cousins in the cultural 
narrative represent the immigrant narrative because “they did not allow the old 
world, the past, to hinder them” (IA 324), unlike the standard New World 
Immigrant, they indeed saw the land of opportunity and worked hard to achieve 
the American Dream. For these Latinos a huge role that played in their 
narratives was the unintentional contact with the U.S. due to wars and America 
getting involved. They had a preconceived notion that America was not all 
sunshine and rainbows but rather comes with mixed feelings when immigrating to 
the country. But also the theme of intermarriage comes up frequently which shows 
the path towards assimilation within the dominant culture because they are 
slowly leaving their roots behind.
 
           
The final group that makes up the New World 
Immigrant is the Afro-Caribbeans who come from all over the Caribbean including 
Haiti, Barbados, and Jamaica. The Afro-Caribbean’s are harder to identify with, 
in the sense that they are descended from many different cultures including 
African slaves, with French and British influence or mestizo (any person of 
mixed racial origin). They are the group that appeared to have suffered the 
worst within the New World Immigrant umbrella because slavery was present within 
some of these countries especially Haiti. In Edwidge Danticat’s
Children of the Sea which deals with 
a boy and girl in love writing to one another despite the letters never reaching 
one another. The boy in the narrative describes how he “used to read a lot about 
America..it is sunny…there are no borderlines at the sea” (IA 99), this can be 
related towards the immigrant narrative because he describes America as sunny 
with no borders, this can be a symbol of the endless possibilities that the 
American Dream has to offer. But it is also has the minority narrative in the 
sense that color discrimination pops us, “when the Coast Guard (U.S.) came for 
the,, they took the Cubans to Miami and sent him back to Haiti” (IA 101). In 
this quote there is the sense of the preconceived negative emotions that are 
associated with the U.S. because Haitians are in fact the least favored nation 
for immigration to the U.S.  In addition to this narrative, Paule Marshall’s
To Da-Duh, in Memoriam, she shows how 
it is so easy to travel back and forth from their home land of Barbados to their 
established home in New York, “we had just crossed in the landing boat, leaving 
behind us the ship that had brought us from New York” (IA 368). Here there is 
the confusion or mixed feelings of not assimilating to the dominant culture 
because of the strong ties of their country as well as being able to travel 
frequently for the author’s mother. But she shows signs of the immigration 
narrative due to her desire to return back to America, “I longed then for the 
familiar: for the street of Brooklyn where I lived” (IA 371). She is the second 
generation immigrant who is breaking away ties from her native country and 
slowly assimilating to the dominant culture because she associates home with 
America. Her grandmother also has this predetermined notion that America has 
nothing that can compare to Barbados especially the difference between the 
dominant culture and them, “do the white people have all these things too or 
it’s only for people looking like us?” (IA374). With her grandma asking this 
question, the minority narrative appears once again with the theme of color 
discrimination. Her grandma knows that the dominant culture gets better 
treatment. The Afro-Caribbean narratives show light towards America but also 
show how hateful and discriminatory America has been to them due to the color 
code. But the Immigrant part in them wishes for something better, hope, a new 
start from all the bad experiences that was left in their home countries. 
           
The New World Immigrant is exceptional in 
its own right because they do just relate to neither the immigrant narrative nor 
the minority narrative. The have created a cultural narrative that combines 
these patterns to create their own identity. Also, the idea of the mestizo is 
appearing especially in the Afro-Caribbean’s because they are people of mixed 
racial origin which also contributes to the new identity. No matter what country 
they come from, the New World Immigrant has a hard time wanting to assimilate to 
the dominant culture in fear of not staying loyal to their native land. But they 
also have vivid notions of America being the land of equality and opportunity 
due to their involuntary contact with America before immigrating to the country. 
Despite these feelings of unassertiveness towards America, they still come here 
with the hopes of economic progress, better opportunities for the children 
educationally, and basic human rights but there is the struggle of 
discrimination, the negative experiences of America, and the need to stay 
connected with their culture. Whatever it may be, the New World Immigrant sees 
the opportunity for a better life that can be ultimately seen in their backyard 
with America because after all, America is indeed the New World Immigrants next 
door neighbor.   
 
 
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