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 Carrie Block A Brand “New World” 
           
America has long been seen as the land of 
opportunity, a place where many an immigrant has embarked on an opportunistic 
journey, the journey in search of the American Dream. Of these American stories 
are the narratives of the “New World” Immigrant. 
These narratives are often a mixture of attributes from both the 
immigrant and minority narrative as stated in objective three.
 It’s these differences and similarities 
that make up the “New World” immigrant narrative. 
           
To begin we must define what is meant by 
“New World” Immigrants. “New World” immigrants are those that have come from the 
Western Hemisphere i.e. Mexico, Latin America, and the Caribbean islands. This 
is in direct contradiction to the term “Old World” immigrants who came to 
America from Eastern Hemisphere i.e. Europe, Asia, and Africa. 
As with “Old World” immigrants, “New World” immigrants share a 
commonality. They have both made some type of journey but in contrast the “New 
World” countries are much closer and so “New World” immigrants can easily go 
back and visit their homeland. This can frequently lead to a divided loyalty 
between their new country and their country of birth. In the “English Lesson” by 
Nicholasa Mohr, Diego still shows loyalty to his homeland the Dominican 
Republic. “So I come here from necessity, pero this no my country.” 
           
The “New World” immigrants that have 
dominated recent immigration to the U.S. are the Mexican Americans. Mexican 
Americans often come to America for financial or economic reasons. As referenced 
in Objective one, it is this search for the American Dream that likens them to 
the immigrant story. In Gary Soto’s “Like Americans” the grandmother wants her 
grandson to become a barber because they she felt they earned more money. “I 
should become a barber because they made good money and listened to the radio 
all day. Honey they don’t work como burros,” Another attribute that they share 
with the immigrant narrative is their expectations for their children to do 
better either by education or economics. This is also quite evident in the quote 
above. She longed for her grandson to have an easier life than she was afforded.  
           
Mexican American or Hispanic narratives also 
share commonalities with the minority narrative. One of these commonalities is 
the resisting assimilation. A great example of this resistance is shown in “El 
Patron” by Nash Candelaria. The father in this story is not happy that his son 
has gone off to college. “I should have never let him go to college,” Senor 
Martinez said. “That’s where the he gets these crazy radical ideas. From the 
rich college boys whose parents can buy them out of all kinds of trouble.” 
Because of this resistance to assimilate Mexican Americans tend to like to stay 
in their own communities, assimilation proceeds but a reduced rate. An example 
of this can be found in the story of “Barbie-Q by Sandra Cisneros. This story 
tells of a young girl’s desire for the Barbie doll, which can be seen as the 
symbol of an American girl. “Until Sunday when we are walking through the flea 
market on Maxwell Street and there!” … “There! Where? Two Mattel Boxes. One with 
the “Career Girl” ensemble,”…”The other “Sweet Dreams,” dreamy pink and white 
plaid nightgown and matching robe.” This passage shows both the family’s desire 
to stay within the community shopping at the flea market and the child’s wish 
for the Barbie a symbolic gesture for assimilation.  
                       
Another type of “New World” immigrant is 
that of the Afro-Caribbean. Afro-Caribbean immigrants are often faced with that 
of color discrimination or the “color code” and a history of exploitation. This 
is linked in part to the early dichotomy of early USA and slavery. Many of the 
Caribbean islands were slave ports on the way to U.S. One of these slave 
islands, Haiti, had a slave rebellion in 1804 that resulted in a black-led 
Republic. This in turn frightened the slave owning nation of the Southern U.S. 
Due to this Haiti remains the least favored nation for immigration in the U.S. 
Because of this history of exploitation Afro-Caribbean narratives can resemble 
that of the minority narratives. The story “Children of the Sea” by Edwidge 
Danticat, tells of young man fleeing Haiti because of political persecution. 
This story shows many commonalities to the minority narrative one of these is 
the example of the color code.”They treat Haitians like dogs in the Bahamas, a 
woman says. To them we are not human.” The “color code is also evident in “The 
Making of a Writer” From the Poets in the Kitchen by Paule Marshall. “Indeed, 
you might say they suffered a triple invisibility, being black, female and 
foreigners. They really didn’t count in American Slavery except as a source of 
cheap labor.”  
           
As with Hispanic or Mexican Immigrant 
Narratives, Afro-Caribbean immigrant narratives show similarities or 
characteristics of the immigrant narrative. They enter the USA in search of 
economic progress. This can be seen in “The Making of a Writer” From the Poets 
in the Kitchen by Paule Marshall. “You could at least see your way to make a 
dollar. That much they acknowledged. They might even one day accumulate enough 
dollars, with both of them and their husbands working, to buy the brown-stone 
houses which like my family, they were only leasing at that period.” Home 
ownership can also be said to be the American Dream.  In conclusion, the “New World’ immigrant narrative often shares some similar traits or connections to that of the immigrant and minority narrative. As my fellow student Cassandra Rea stated “Immigrant and Minority narratives are cultural narratives that can help connect the reader to what life was like when they came to the New World”. It’s these connections that we are drawn to as readers. It’s these connections that are essential to telling a true American story. 
 
 
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