Rebecca Chlapowski Breaking Rules Toni Morrison may be eighty-two, but she
is still making appearances and giving speeches.
In an interview with Elissa Schappell of
The Paris Times,
Morrison talks about her writing, and writing
habits.
I have enjoyed learning about Toni Morrison in class, and
also reading
The Bluest Eye, I especially enjoy her writing
style.
I want to know how she became the writer she is.
What drives her to write? She is a writer, an
activist, and won the Nobel Prize in 1983.
I am curious to find out what else she has
accomplished, while she managed to introduce new literature and helped change
the art of reading. Toni Morrison was born in Lorain, Ohio,
which also happens to be where her novel,
The Bluest Eye
is set. When
Morrison was growing up, her father worked at a steel factory in Lorain, and
“she was the only African-American student in her first grade class and the
neighborhood was anything but uniformly black” (Roynon 3).
Morrison was an outstanding student who was “the
first member of her family to attend college” (Roynon 4).
She graduated with a master’s degree in English from
Cornell, after which she began teaching.
Morrison married, had two children, divorced, moved
to New York and worked on her writing.
Her first book,
The Bluest Eye,
was worked on at night after her full time job,
and children were taken care of.
This is when she learned her writing habits and
rituals. While looking for information, mainly a
biography or autobiography of Toni Morrison, I came across
The Cambridge
Introduction to: Toni Morrison, written by Tessa
Roynon and published in 2012.
On the first page, it is stated “there is to date no
full-length authorized biography of Morrison . . . no formal autobiography, and
no published volumes of letters or diaries . . . . there are, however, many
wonderful interviews” (Roynon 1).
This book goes through Morrison’s life, works, how
her works are related to race among other things, and of course reception, how
her work is received by others and critiqued. After reading an interview with Toni
Morrison in
The Paris Review by Elissa Schappell and having
read On
Writing: A Memoir of the Craft written by
Stephen King during the summer break between semesters, I have realized that my
ideas and thoughts about writing are not very bad.
These writers seem to have the magic and know
exactly where it came from and more importantly, how to use it.
Both of these writers agree on several points.
Find a time of the day to write, which will vary
depending on the individual.
They also agree that at some point the writer will
develop a ritual that must be done before writing.
Toni Morrison’s ritual is to “get and make a cup of
coffee while it is still dark . . . drink the coffee and watch the light come”
(interview).
She did not realize this was a ritual until after speaking
with another writer.
During the same interview Morrison was asked about
her audience, and if she keeps them in mind while she is writing, she answers by
simple saying that her audience is “only me” (interview).
Both Toni Morrison and Stephen King discuss the
problem of characters, and how the author must control the character in a novel.
The writer cannot allow the character to control the
writer. This is such an amazing concept; even in creative writing we are not
taught this.
Both writers also discuss their love of reading everything.
Then again, who does not love to read?
The last thing from this interview that caught me
completely off guard was that Morrison like King they both write endings of the
story, when they want.
Sometimes they write the ending before the plot so
that they can figure out how they want the story to go and how to develop the
characters; as Morrison states, that “forces her into having a certain kind of
language that will keep the reader asking questions like, who did that and why?”
(Interview).
Personally, I find these things refreshing.
When a student has a want to write and it is
squashed repeatedly by being forced to create in a way dictated by a professor’s
personal style or preference, it kills all desire to write.
It is nice to know that other writers and well-known
published authors are teaching something different. While in college attaining a Bachelor of
Arts in Literature, the student is required to take many writing courses, as
well as literature courses that involve a great deal of writing and critiquing.
In my years of doing this, I have been taught the
exact opposite of how seasoned authors develop their writing skills and habits.
As a student, we are taught to always consider our
audience, and I have never had a single professor suggest that we are our own
audience.
Personally, I find Morrison’s answers in the interview.
When a student has a want to write and it is
squashed repeatedly by being forced to create in a way dictated by a professor’s
personal style or preference it kills all desire to write.
It is nice to know that well-known published authors
are teaching something different. Bibliography King, Stephen.
On Writing: A Memoir of the Craft.
New York, NY: Scribner, 2010. ereader Roynon, Tessa.
The Cambridge
Introduction to Toni Morrison.
New York: Cambridge University Press, 2012,
Print. Schappell,
Elissa, Lacour, Claudia.
The Paris
Review.
No. 134.
Web.
21 March.
2013.
www.theparisreview.org.
|