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LITR 4332: American Minority
Literature
Lucille
Sayles Clifton “Song
at Midnight”, UA 111-12 Reader:
Dede Stone Respondent:
Amy D. Reed Biography
of Poet:
About Lucille Clifton Lucille
Sayles Clifton was born in Depew, New York. Her father worked for the New York
steel mills; her mother was a launderer, homemaker, and a vocational poet.
Although neither parent was formally educated, they provided their large family
with an appreciation and an abundance of books, especially those by African
Americans. At age sixteen, Lucille entered college early, matriculating as a
drama major at Howard University in Washington, D.C. After transferring to
Fredonia State Teachers College in 1955, Clifton worked as an actor and began to
cultivate in poetry the minimalist characteristics that would become her
professional signature. Clifton's prose maintains a familial and cultural
tradition of storytelling. In them, Clifton further honors African American oral
and oratorical traditions with her use of black vernacular. She has published
several books both in poetry and in children’s prose. In 1958 she married a
fellow student, Fred Clifton. Lucille Clifton served as Poet Laureate of
Maryland from 1979 to 1982. Clifton is Distinguished Professor of Humanities at
St. Mary’s College in Maryland and has a position at Columbia University from
1995 to 1999. Relation
to course Objective: Objective 5a – With
Clifton’s use of the word brother she is identifying herself as one of the
minority people and relating with them. Objective 6 – We observe Clifton’s imagery of not just
blacks but an obese black woman. Reference
to other presentation:
Kirby Johnson in 2002 related the poem to objectives: Objective 5a-
Clifton feels the "proper subject matter for poetry is
life." Through her poetry she
connects with people and allows them to share her experience. Objective 6a-
As Dianna pointed out in her presentation last year, Clifton's use of the
word "brothers" directs her words to her minority community.
Her distrust for "institutions" outside her community shows as
she insinuates no one will love the woman if the brothers do not. Object 1c-
Clifton stated that poems prove "you are not alone" and poems
"speak for those who have not yet spoken." She gives voice and choice to African Americans and woman in
all her poetry. Term:
Metaphor – a
figure of speech that associates two distinct
things.
Imagery – a
term used to refer to (1) the actual language that a writer uses to convey a
visual picture and (2) the use of figures of speech, often to express abstract
ideas in a vivid and innovative way. Poems
Title: ‘Song at Midnight’ Read
the Poem: brothers,
this big woman
carries much sweetness
in the folds of her flesh.
her hair
is white with wonderful.
she is
rounder than the moon
and far more faithful.
brothers,
who will hold her,
who will find her beautiful
if you do not? (UA,
Clifton, 111-12) Interpretation
of the poem from another: Kirby Johnson
stated in 2002 She [Clifton] stated "I am excessive.
I am over all the accepted norms: over size, over color, over age."
She also stated that it just doesn't make sense to her because we live in
a society where "men like big cars and big houses and then tiny little
women. It just don't make
sense." After hearing her say
all that and then hearing her read the poem, I see it more of a celebration of
the woman. At first, I thought it
was a plea (for lack of a better word) for acceptance from the brothers. What
I think: I think that Clifton is trying to
let people know that just because someone is over sized, old, crippled or
different in any way does not make them any less a part of society, a
group, or nationality.
You cannot say ‘I want all to be equal’ and then look at someone
different from the norm and say ‘that is not part of our group’ Questions:
What do you think Clifton was trying to do
when she compared her woman to the moon? I think that when Clifton refers to ‘her hair is white
with wonderful’ she is referring to her being an elder. What do you think? Do you think this poem can be used to communicate
acceptance to any ethnic group?
Sources:
http://www.english.uiuc.edu/maps/poets/a_f/clifton/about.htm Ross Murfin, Supryia M. Ray. The Bedford Glossary of
Critical and Literary Terms. Boston, MA; New York: Bedford and St.Martin’s,
2003. http://coursesite.uhcl.edu/hsh/whitec/litr/4332/models/2002/prsns/p02cliftsong.htm
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