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LITR 5535: American
Romanticism
Presentation/Discussion Reader: Nancy Gordy
"The Rise of Gothic Fiction" The Legend of Sleepy Hollow by Washington Irving
Date: September 9, 2003
The Gothic genre is one of many directions of branches of
Romanticism and also contained in The Legend of Sleepy Hollow, is the
Romantiuc Spirit or ideology (Obj. 1a & 1b).This ideology or spirit of
Romanticism tends to identify and criticize attitudes associated with
Romanticism, such as the disire and loss, rebellion, nostalgia, idealism,
"the sublime" the individual in nature separate from the masses. And
the Romantic spirit is usually a desire for anything besides the here and now
or reality. In the romantic short story, The Legend of Sleepy Hollow contains a
sort of quest or journey that Ichabod Crane, an innocent psalmist trangressed
on physical, social, and psychological boundaries. Typically, the
boundary in American Romanticism is between the woods and the town. The
obvious folklore connection to Sleepy Hollow comes from oral traditions like
sitting around a campfire telling ghost stories. This idea reminded me of how
Mary Shelley's Frankenstein came about-a generation earlier in European
Romanticism.
Sleepy Hollow is a prime
example of originating from the folktale. A folk tale is a short
narrative that has been orally transmitted through successive generations, and
as we see in Sleepy Hollow, the mysterious figure of the Hessian
soldier(2094) who is looking for his head. As Irving points out as the
narrator of the piece, is that riveting through the whole countryside of the
haunted woods since the Revolutionary War. Nostalgia feeds gothicism. The setting has
a history that has haunting and dark mysteries in the woods that
pervade the town of Sleepy Hollow's conscience. The overactive imagination and
tales foreshadow the fate of Ichabod Crane, adding him onto the mystery of the
ghostly tales. Also the apparition, is it real or not? Irving leaves you
hanging a bit, suspense is good for the soul once in a while!
The boundary between civilization and the dark and creepy woods
provide an understanding of Romantic literature, gone gothic. In once sense,
the forest and the little villages dotting the area are said to be tranquil
and peaceful, and beautiful. Although, there is a mysterious effect nature has
in its ability to also create fear or the idea that a stronger unseen force
controls both the light and the dark elements. In the Bible, the path of
Righteousness is in the light, and path of evil is darkness. Also, Irving was
heavily influenced by Puritan history, especially, Cotton Mather's
"History of New England Witchcraft" p.2097. Additionally,
Jonathan Edwards', "Sinners at the Hands of an Angry God" add to the
religious dogma New Englanders were so accustomed to. This
quest or journey toward the creation of the gothic novel is heightened upon in
Irving's text.
9/9/03
Discussion Discussion Reader: Nancy Gordy Discussion
Recorder: Mary Arnold Purpose:
To Highlight themes brought up by the discussion reader and class
responses. Nancy;
"Characteristics of the Gothic in Washington Irving’s Legend of Sleepy
Hollow" Objectives
1a, 1b, and 1c Nancy read a selection from
“Sleepy Hollow” on page 2094. In it, she pointed out features of Romanticism
and the Gothic such as the contrast between “good nature” and “bad
nature” – The valley is depicted as a “sequestered glen” which would be
good for a “retreat” from the “world and its distractions” and a
“troubled life” (2094).
But also the inhabitants believe the place to
be “bewitched by a high German doctor”, “an old Indian chief”, and of
course the Headless Horseman, who is thought to be the “ghost of a Hessian
trooper” (2094). These supernatural beings represent the “bad nature” in
Gothic literature.
Nancy described how Ichabod Crane exemplifies
Puritan thought and beliefs, through his endless perusal of Cotton Mather’s
“History of New England Witchcraft”.
Referring to Bedford, Nancy likened
“Sleepy Hollow” to the description of folktale – “a short narrative that
has been orally transmitted through successive generations within a given
community” (Bedford, 171). While
“Sleepy Hollow” began as a ‘published literary work” rather than oral,
it has since become considered a folk tale (172).
Indeed, the implied author insists in the postscript of the tale that the
story is “given almost in the precise words in which [he] heard it” (2112).
Nancy’s question: “How
does American Romanticism’s view of nature parallel/contrast to that of
English romanticism’s view of nature?”
Discussion: English – takes place in old houses or castles;
American – happens in the wilderness. Puritanism
has more effect on American romanticism than English
does.
In England, women also wrote Gothic novels (Mary Shelley’s Frankenstein),
while in America, only men wrote Gothic narratives. Women wrote romances.
It was commented that Ichabod Crane is not
“true” romantic hero. He’s not very likable person, wants Katrina only for
her wealth, and his physical appearance is rather comical.
Brom Bones has many traits associated with romantic heroes – he is
good-looking, brave, and mischievous.
Dr. White mentioned the above comment could be due to the Age of Reason
coinciding with Romanticism; that Age of Reason works with satire often.
Another feature of Age of Reason coinciding
with Romanticism is seen in the apparition of the Headless Horseman. He is from
the Revolutionary War (Age of Reason), and travels path in the wilderness
searching for his head ( quest and loss in Romanticism).
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