Tracie Estrada
The Gothic is the Perfect Accompaniment to a Well Written Story
The gothic is a popular association with Romanticism. This literary theme
is thrilling with many characteristics that keep readers enthralled. Many
authors have spurred its popularity while inserting the origins that have become
synonymous with the gothic. For example, haunted houses and woods, maze and
secret rooms, fair and dark ladies, repressed fears and desires, death and decay
are some of the symbols found within gothic literature. Throughout the course
there have been many authors who have used this device; however, their use of
the gothic is diverse as their work.
Specifically, early in the semester Washington Irving was introduced and
both of his works have touches of the gothic.
In “Rip Van Winkle,” the evidence of the gothic is found with the line
“He found the house gone to decay.” Here Rip has wakened from his slumber in the
mountains to find his home in ruins; hence, the decay is proof that time waits
for no man. Perhaps the obsession gothic writers have with decaying buildings is
that we are mortals, even the buildings we construct will not last forever;
consequently, it is a frightening to think that all that surrounds us will no
longer be there one day. Additionally, in Irving’s other piece “The Legend of
Sleepy Hollow,” he dives a bit deeper into the psyche. There are several
references to ghouls and ghosts, especial when Ichabod is alone in the woods.
For instance, the wilderness gothic, common with American literature, is
represented by a tree Ichabod comes upon is described as “an enormous
tulip-tree, which towered like a giant above all the other trees of the
neighborhood, and formed a kind of landmark. Its limbs were gnarled and
fantastic, large enough to form trunks for ordinary trees, twisting down almost
to the earth, and rising again into the air.” Irving writes further about the
tree’s association with a tragic story which correlates with the haunted past
wilderness gothic illuminates. Also, wilderness gothic is seen in other classic
pieces.
Summarily, with “The Legend of Sleepy Hollow” the wilderness gothic
appears in “Young Goodman Brown” by Nathaniel Hawthorne. Goodman Brown is
traversing the forest but he has an ominous feeling that causes him to look over
his shoulder. He describes his path as “darkened by all the gloomiest trees of
the forest, which barely stood aside to let the narrow path creep through, and
closed immediately behind.” Also, this plays on the image of isolation because
the forest closes behind him, swallowing him up. In fact, Goodman describes this
as “lonely as could be; and there is this peculiarity in such a solitude, that
the traveler knows not who may be concealed by the innumerable trunks and the
thick boughs overhead.” The fear of the unknown is valid; definitely, the idea
that a threat lurks behind the corner is something that people have experienced
in this modern time perhaps while in a walking in dark parking lotto their car
or hiking alone in the woods.
However, Hawthorne uses a theme within the confines of the gothic using the
Puritan period perhaps because according to Dr. White’s course site, the
Puritans were concerned with the condition of the soul. Hawthorne uses the issue
of original sin deeply within his Puritan gothic stories. To illustrate, in “The
Minister’s Black Veil” Reverend Hooper is a frightening figure wearing a shroud
to hide his secret sin which is a representation of the gothic. His veil is the
symbol of the sin and how it casts a physical separation between the soul and
God; however, this separation is primarily succeeds in Hooper’s isolation from
those who care about him and his community. For example, “All through life that
piece of crape had hung between him and the world: it had separated him from
cheerful brotherhood and woman's love, and kept him in that saddest of all
prisons, his own heart.” Truly, Hawthorne utilizes the gothic to instill a
lesson within the text to his readers to not aspire to be like Reverend Hooper a
let sin and past regrets to come between God, love, and fellowship.
On the contrary, Edgar Allan Poe’s pieces are heavy laden with the gothic for
the purpose of entertaining his audience. Poe demonstrates correspondence with a
generous addition of the gothic particularly in “The Fall of the House of
Usher.” For instance, when Poe writes the “view of the melancholy House of
Usher. I know not how it was—but, with the first glimpse of the building, a
sense of insufferable gloom pervaded my spirit.” This mirror image is the
condition of the manor home with the psychological condition of its inhabitants.
Also, Poe uses the gothic element of mazes and secret passages in ways to
illustrate the intricacies of the human mind by writing “through many dark and
intricate passages in my progress to the studio of his master.” The gothic is
the paint Poe uses on his canvas of pages to draw the reader into a dream or
nightmare world.
Similarly, writers from across the pond use the gothic to illustrate the pieces.
British writer Elizabeth Gaskell utilized heavy gothic themes within her writing
to move her audience much like Nathaniel Hawthorne. In her short story, “The Old
Nurse’s Story,” Gaskell uses the gothic in similar ways to Poe and Hawthorne. A
young girl, Miss Rosamond, and her nurse are brought to a large cold isolated
estate described as a “great and stately house, with many trees close around it,
so close that in some places their branches dragged against the walls when the
wind blew; and some hung broken down; for no one seemed to take much charge of
the place.” Similarly, Gaskell uses correspondence like Poe because the outward
appearance of the manor corresponds to the condition of those who live there;
however, there is a component not found in the previous works mentioned, which
is the innocent child or young women who is brought into an evil or haunted
place. Rosamond is brought to live with distant relative who have a terrible
secret and a haunted past. Therefore, when Rosamond’s great aunt is finally
confronted with her past it is revealed by Gaskell that the great aunt’s mind is
tormented from past mistake because her last dying words are “Alas! alas! what
is done in youth can never be undone in age! what is done in youth can never be
undone in age.” This is the final point that Gaskell wants to use for the
benefit her readers, use of the gothic as both educational and morality which
Hawthorne uses with his Puritan gothic stories.
On the whole, writers use the gothic because it works. Some writers like Rebecca
Harding Davis probably unknowingly use the gothic but authors like Edgar Allan
Poe, Nathanial Hawthorne, and their British counterparts use it with relish.
Readers love to be scared; furthermore, ghost stories have been passed around
the camp fire for generations. The gothic sells books but also can be useful if
you are trying to illustrate a cautionary tale. The theme is used in modern time
in abundance. For instance, there are several television shows like, “The Ghost
Whisperer,” which uses the gothic to induce sentimentality; on the other hand,
there are also movies like the Saw
installments that border from gothic to pointless brutality. Personally, the
gothic is best enjoyed in moderation like a fine wine accompanied with a
fabulous meal.
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