Amber Criswell
The Non-Existence of
Closure in Literature
Three thieves each steal a loaf
of bread; one thief steals because he refuses to work, one thief steals because
he is unable to work and hungry, the last to feed his family, do they both
deserve the same punishment?”
Simple
hypothetical situations like the one posed above evidently do not have a clear
and fair answer. The moral absolutist would say that all three men did the same
crime and should have the same punishment. The moral relativist would agree that
two out of the three men were hungry and compromised and do not deserve a
harsher punishment than the first. Perhaps in a more ancient time, the moral
absolutism ideology would correspond with an appropriate justice system, but
that is no longer the case. It is clear that such matters are not black and
white and require a certain balance of passivity and rigidness; but this type of
balance is difficult to comprehend and administer in actual situations. One role
of the morally aware writers of the American Renaissance period in literature is
that of a great communicator for the different facets of a morally complex
dilemma.
Two figures from
the American Renaissance era that captured the spirit of the times, and need for
understanding, were Nathanial Hawthorne and Abraham Lincoln. Nathanial Hawthorne
was raised in a God-fearing household and understood the grey areas of religion,
often expressing that religious ambiguity as a major theme in his short stories
and novels. Abraham Lincoln, on the other hand, saw a nation that was going
through a grand difficulty, and understood that the Union would be completely
ripped apart based upon a difference of moral opinion, and chose to find a
middle ground. He expresses his beliefs in many of his speeches after the
beginning of the Civil War. Both men recognized the growing desire in the people
of their generation to break out of the mold of either absolutism or relativism,
because there was no going back to the seemingly easier time before them; with
Lincoln, they wanted decisions to be made, but the right one; with Hawthorne,
they wanted to flaws of the human experience to mesh with religion, not counter
it.
Lincoln was an
intellectual and quick-witted man, who bore the burden of an entire nation upon
his gaunt shoulders. While he might have seemed like an ill-fitted hero in a
time of war, it was his rational mind that saved a country. Lincoln understood
the complexities that surrounded a civil war. He was clear at stating that he
did not particularly place a fervent amount of blame upon the South, but that
they had a different set of practices of the North was conflicting. While in his
second inaugural address, he spoke these words to the nation at war:
“With
malice toward none, with charity for all, with firmness in the right as God
gives us to see the right, let us strive on to finish the work we are in, to
bind up the nation's wounds, to care for him who shall have borne the battle and
for his widow and his orphan, to do all which may achieve and cherish a just and
lasting peace among ourselves and with all nations.” It is evident throughout Lincoln’s speech that he desires to
keep the peace, and does not mention anything about guilt or innocence in
context to the war. He focuses on the recovery, not punishment. Lincoln
understood the moral complications that surrounded slavery, a split in the
union, and the lives that were going to be lost. At the same time, Lincoln also
knew that solely focusing on these issues was not going to move the country in
the direction it needed to go in order to secure the union as a whole unit
again.
Nathanial
Hawthorne crafted stories that explored the aspects of religion and religious
persecution were neither right nor wrong. There was rarely a short story or
novel that was written by Hawthorne that did not possess a religious overtone,
and often time those stories dealt with the dark side of moral absoluteness that
occurred through religion. In his short story, “The Minister’s Black Veil” he
discusses the sins that are commonly shared among man, neither condemning them
nor praising them, through the symbol of the black veil:
“Tremble
also at each other! Have men avoided me, and women shown no pity, and children
screamed and fled, only for my black veil?
What, but the mystery which it obscurely typifies, has made this piece of crape
so awful? When
the friend shows his inmost heart to his friend; the lover to his best beloved;
when man does not vainly shrink from the eye of his Creator, loathsomely
treasuring up the secret of his sin; then deem me a monster, for the symbol
beneath which I have lived, and die! I look around me, and, lo! On every visage
a Black Veil!'' Hawthorne describes the short story as a parable, which means
that it holds a lesson of some sort. The meaning behind the black veil is that
the minister has physically created that same concealment that all people have
within their hearts as they are separated from others and God by their personal
sins. Hawthorne neither glorifies nor abhors this predicament in his story, but
rather discusses the issue with a objectivity that presents a proper moral
dilemma in way that does not let the reader easily decide what is right and what
is wrong about the characters and their actions.
Studying this type
of literature, whether you study the speeches of Lincoln or read a book by
Hawthorne, you are studying masters of perspective. Both authors understand and
embrace the challenge of looking at moral issues from all grounds, and not
keeping themselves within the box of oversimplification. It is a reward to study
this type of literature, but is challenging. Students of literature soon
discover that closure does not exist in the realm of books and speeches;
different ideas ebb and flow through stories and completely understanding the
context of a piece of literature is nearly impossible. This is definitely the
case when studying complex moral issues, as intrinsic to their nature is their
confusing and unanswerable questions. The amount of critical thinking it takes
to comprehend and come to a good decision about the events within a novel, such
as The Scarlet Letter, will never
prove too definitive, but with learning, it is not what you learn but how you
learned it.
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