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 Michael McDonald
Hawkeye vs Hugh: The Battle Between What Is Real & What We Wish Was 
Romanticism creates a world of adventure and shows the grandeur of the world. In 
a sense it appears almost fairytale in existence. It is because of Romanticism 
that Realism exists, to counter the notion of the distinguished man and in his 
place present you with the masses of men who are simple unskilled, everyday men. 
Romanticism aims to paint the world in a light of utter beauty and also cover it 
in the clouds of the gothic and sometimes supernatural. Realism wants to throw 
ice water in your face to wake you from the dream that Romanticism is placing 
you in. 
Romanticism and Realism exist on opposite ends of the literary spectrum. The two 
genres are separated solely in how they present their worlds. Where one attempts 
to show you magic, the other tells you how the trick is done. Brianna Perry 
argues “In Realism, morality is not black and white, while Romanticism wishes to 
portray life as cut and dried, with an obvious right and wrong” (Model 
Assignments). 
Life 
In the Iron Mills 
at 
its core is a story of Realism. Rebecca Harding Davis does not present the ideal 
life that much of romanticism seems to find itself in. Instead Davis shows the 
bleakness that exists in her Iron Mill town. The people within the town struggle 
to maintain their way of life as they work tirelessly and suffer from harsh cold 
and starvation. “It rolls sullenly in slow folds from the great chimneys of the 
iron-foundries, and settles down in black, slimy pools on the muddy streets. 
Smoke on the wharves, smoke on the dingy boats, on the yellow river,—clinging in 
a coating of greasy soot to the house-front, the two faded poplars, the faces of 
the passers-by” (Life In The Iron Mills). Davis description of nature is not one 
of beauty, but instead of the dirty and harsh toll that the work at the foundry 
has taken upon the town. Realism not only changes the view of nature, but the 
view of the gothic as well. In Realism the gothic is represented in deformations 
and grotesqueness rather than the haunting supernatural element that Romanticism 
enlisted 
Realism also maintains the idea that its “hero” isn’t truly a hero, instead they 
are men who are slightly higher on the status scale than their peers. Hugh Wolfe 
is described “Physically, Nature had promised the man but little. He had already 
lost the strength and instinct vigor of a man, his muscles were thin, his nerves 
weak, his face (a meek, woman's face) haggard, yellow with consumption. In the 
mill he was known as one of the girl-men: "Molly Wolfe" was his sobriquet” (Iron 
Mills). Hugh Wolfe is simply a man with no discernable skills or features 
outside of his feminine stature. The only thing that separates him from the rest 
of the mill workers is his minor artistic ability. This ability though is 
overlooked and not deemed to be of use in the realities of the mill town. 
Unlike Realism, Romanticism allows the sun to shine through the smog and gives a 
sense of hope and purpose to its story. In
The Last of the Mohican’s Cooper 
tells the story of Hawkeye and his quest to rescue and guide a group of English 
colonists back to their father. In the midst of this journey Hawkeye and his 
friends encounter many dangers and trials that are a cornerstone of the romantic 
narrative. That journey takes them across the vast American Frontier taking the 
characters to places where “the rushing of the waters ran through their melody” 
(Mohican’s).  Cooper allows for 
Mohican’s to be a great journey filled with adventure, where Iron Mills only 
aspiration is chance for there being more to life than what the town holds. 
Mohican’s differs from Iron Mills not only in how the stories view nature, but 
in the construction of characters as well. 
Wolfe’s character differs greatly from that of Hawkeye. Hawkeye is the epitome 
of a romantic hero. He is handsome, well put together, and a skilled 
frontiersman. Hawkeye is also clearly identified as the “good guy” in The Last 
of the Mohican’s, where Wolfe is just part of the men who work at the mill. 
Throughout Mohican’s Hawkeye exhibits his astounding knowledge of the frontier 
and his remarkable skill with his long-barrel rifle. Hawkeye’s character 
predates the cowboy and in many ways could be responsible for the modern cowboy 
archetype. 
We 
reside in a world of Realism, we see and accept the faults of our world and know 
that in this reality there are no Hawkeye’s, there are only Hugh’s. Despite that 
knowledge though we still find ourselves drawn to the idea that there is some 
kind of magic in this world and we long for adventure.  
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