Alisha Blue
December 12, 2017
An Expanded Understanding of Romanticism
The
American Renaissance encompasses many different styles of writing as well as
types of literature. This semester, we studied a wealth of literature that is
often seen as foundational to our American culture. The wide range of the
variety of styles we reviewed is partly what makes this course so extremely
unique and also essential to a Literature major. Through this variety, it’s
evident that where I once believed I had a grasp on the Romantic era, new texts
were presented as we progressed through the semester, to make me change this
mindset. With that being said, I was able to alter the previous notion of
“boxing” the American Renaissance to a handful of styles of writing. Therefore,
the second half of the semester proved absolutely crucial by introducing
political texts and slave narratives that defy limiting Romanticism and expanded
on cultural styles.
Perhaps one of the most notable lectures this semester was over Sojourner Truth.
Sojourner Truth’s Aint I a Woman? is
different than any other style of writing we have studied thus far. An important
factor to this cultural style is that this is a speech given by a woman who
could neither read nor write. This key point proves crucial to the time period
that slavery happened; it is an ugly past that we cannot forget. Within this
speech, Sojourner’s voice is clear and ample, and thus the anger, confusion, and
hypocrisy in which she calls out in America at this time make it foundational.
Advocating for abolition and woman’s rights, she says, “If the first woman God
ever made was strong enough to turn the world upside down all alone, these women
together ought to be able to turn it back, and get it right side up again!”
Truth, then, adds onto the cultural style associated within the American
Renaissance by speaking for minority groups unapologetically. The Romantic
aspect would include the unity of women and slaves to treated as equals amongst
men. Certainly, this would readjust one’s grasp on Romanticism by taking into
account the historical issues of inequality.
The
variety of cultural styles continued to expand my prior notions of Romanticism.
Apart from the slave narratives, there was also another form that proves crucial
to this time period: political resistance. Henry David Thoreau mirrors Sojourner
Truth by inevitably “calling out” those who were allowing inequality to remain
the status quo. Though they resemble each other by being whistleblowers, their
style and form are quite different.
Thoreau writes, “How does it become a man to behave toward the American
government today? I answer, that he cannot without disgrace be associated with
it. I cannot for an instant recognize that political organization as my
government which is the slave’s government also.” Thoreau, as an abolitionist,
pushes for change and progression similar to Truth, but attacks it differently
in Civil Disobedience. Thoreau boldly
makes statements that men are like “machines” to the government, in which they
are merely masses of militia to the government’s expense. He also raises many
other issues in Civil Disobedience
that also call out inconsistencies with the War on Mexico. Further, Thoreau
relates his own personal resistance by refusing to pay his taxes, in which cause
him a night in jail. Thoreau’s cultural style reveals his need to defy the
status quo, and implore for a better America. It expands on Romanticism in that
through his defiance, he can so beautifully paint a picture of machinery against
what should be natural. His famous quote, “The government is best which governs
least,” epitomizes the notion that man ought to govern himself and be equal with
one another.
Though Truth and Thoreau had some of the same end-goals, they implemented their
thoughts in ways that were different from one another. Truth had to utilize the
outlet of giving speeches. While for many, illiteracy would hinder them from
being vocal and as quick-witted as Truth was, she did not let that deter her
from speaking at conventions. Thoreau, a vastly different background, eloquently
elaborated on these similar injustices. Together, the two expanded the box I had
put Romanticism in that proved it cannot, and should not, be limited.
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