Jennifer
Matus
April 28,
2012
Prodigal Daughter: Controversial or Entertainment
Charlotte Temple is known as one of the first of its genre in
women’s romance and is known as a “seduction” novel. While it portrays a young
girl following her heart from England to America during the revolutionary
period, it is also known to be based upon a true story. From my previous
knowledge in history courses, women of this time were not particularly educated
and those who were, were wealthy. I knew women of upper class would have had
education such as private tutors so naturally only the wealthy would read the
novel; however, I began to think of how they perceived the novel. Since I know
from the class lecture and notes that this novel was widely popular and became a
best seller, I am not concerned with its popularity. Did the population of the
1790’s enjoy the book as entertainment or did they feel outraged that a woman of
their time period would act as so?
Wouldn’t her actions contrast to that of religious woman and if so, shouldn’t
the reader feel equally guilty?
My first stop on my search for answers was the search engine Google.
Considering this is a trend of mine since it was how I started my search for
Research Post #1 let me briefly explain. Simply, if I don’t find many simple
responses to my posed question then I most likely will not find educated,
studied responses. After making a few adjustments to my wording on what I was
looking for, I came across a book listed on Google Books. “Prodigal Daughters:
Susanna Rowson’s Early American Women” by Marion Rust of the Omohundro Institute
of Early American History and Culture gave me a starting point of the lifestyle
developing in America in the late 1700’s. She mentions that “turn-of-the-century
Philadelphia was remarkable for increasing tolerance of unmarried, and in
particular premarital, sex” (Rust 49).This was something that I was unaware of
the time period. Rust goes on to mention that Charlotte Temple is “a
story of ‘the fatal consequence of Charlotte’s…illicit sexuality,’ the novel is
said to depict a woman ‘betrayed by her own naïve passions’ and thereby provide
an ‘example of virtue fallen through seduction and sexuality'” (Rust, 57).
Perhaps readers of the late 1700s-early 1800s found pleasure in reading of
Charlotte’s forbidden acts and equally viewed the book as a “if you do this,
this will happen.” At this same time period the rise of singlehood steadily
increased through history. Many women began searching for the “right” mate
instead of marrying the man their parents approved or chose.
From here I continued my search to the UHCL online database. I came
across an article by Paul Barton called “Narrative Intrusion
in Charlotte
Temple: A Closet
Feminist's Strategy in an American Novel.” He stated, “Rowson had an innate
desire to instill within her readers the knowledge and means essential to
finding the path of virtue and right Christian living” (Barton 27). This
explains that it was written to discourage the behavior partaken by Charlotte. I
still wanted to find out more in regards to the audience reading the newly
published Charlotte Temple.
I found an article by Patricia Parker called “Charlotte Temple: America’s
First Bestseller.” She found that “Charlotte
Temple sold because it was brief and entertaining. Its plot line moved
rapidly and in a sophisticated time sequence. Further, the book instructed its
readers to follow the paths of social convention, but it also posted a
humanitarian attitude towards those who veered from established ways” (Parker
518). Parker is saying that the book was read and sold simply because it was
entertaining while still adapting to the current social conventions of the time.
Blythe Forcey takes this research further in the article “Charlotte Temple
and the End of Epistolarity.”
At this point in my research I had looked over at least a dozen articles with no
luck in regards to what my goal defined. However, this article answered what I
was in search of. Several passages were to be noted before making my final
conclusion. The population during this time was “diverse and disoriented” and
“the actual readers were usually young and at least as likely to be female as
male…because of the increasing attention to childhood education in the later
part of the eighteenth century, young people, especially women, tended to be
more literate than old people” (Forcey, 226). The book was released a few years
before the turn of the 18th century, which meant many families had
been in the United States for over a hundred years. It did not even cross my
mind that all the children who were getting educated were now grown at this
point. Another point made was as follows, “Most potential readers, even those
seemingly least likely to identify with Charlotte Temple…would still have been
affected by the pervasive sense of ‘homelessness’” (Forcey 226). This is to say
that many people felt connected to Charlotte during the changing times in
America. They enjoyed the ability to read of someone who experienced the fears
of a new world without having to experience it for themselves.
Through my research I was able to find the answers to my posed questions.
“Charlotte Temple” became popular due to its appeal to the lower literacy levels
of readers and its relatable themes. I found no outrage due to the premarital
sex and questionable actions of a young girl, but found the novel fit
appropriately with the new, changing country. Morals were being questioned and
the conservative lifestyle in itself began to laxen. The novel was released at a
proper time and possibly, if released at an earlier time, could have been
considered controversial. After studying the response to Susanna Rowson’s novel
it would lead me to further study America during this time. I learned there was
a lot more to the lifestyle of the 18th century than I ever learned
in a school textbook.
WORKS CITED
Barton,
Paul. "Narrative Intrusion In Charlotte Temple: A Closet Feminist's Strategy In
An American Novel." Women & Language 23.1 (2000): 26. Academic Search
Complete. Web. 27 April 2012.
Forcey, Blythe. "Charlotte Temple and the End of Epistolarity." American
Literature 63.2 (1991): 225-41. JSTOR. Web. 27 Apr. 2012. Parker, Patricia L. "Charlotte Temple: America's First Best Seller." Studies In Short Fiction 13.4 (1976): 518. Academic Search Complete. Web. 27 April 2012.
Rust, Marion. Prodigal Daughters: Susanna Rowson's Early American Women.
University of North Carolina, 2008. Web.
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