Nora Haenggi
Romanticized American Narrative
I am not
entirely sure, but perhaps a sort-of-sentimentality is reason for teaching the
picture of American Literature vastly differently from grade school to higher
education. In class, Adam Glasgow reminded me that American history through
literature is tailored to suit a particular American sensibility. Indeed, upon
my very first presentation of Native American poetry by Simon J. Ortiz, my
outlook of American history through literature is that it has been uniquely
mythologized and romanticized. What I have learned in Early American Literature
4231 represents two vastly different pictures of historical American Literature.
My initial view of what I had learned about Early American Literature in my
early schooling was almost as if intentionally illustrated through rose-colored
glasses. One difference I have noted about my knowledge of Native American
culture appears to be a little more realistic than my peers; I might attribute
that to acquiring the earliest part of my education in the
Previous
research posts reveal varied bias and interpretation of the Early American
literary text based on what is presented. What is presented is often what is
available. In other words, text from the dominant culture is more readily
available because they had the means and the education and the wherewithal to
provide literature. The result is often the minority culture becomes drowned
out. The available literature paints the Native American Indian as a rather
scary and dark figure in a scary wilderness as Lori Arnold, Jeff Derrickson, and
Melissa Sandifer have written. Lori, Jeff and Melissa cited Ms. Mary
Rowlandson’s captivity narrative and
Edgar Huntly as the illustrated Native American in early American
Literature. Melissa Sandifer acknowledges that the Early American literature
professors only have so much time to fill in the “gaps”. Past students’ essays
also refer to the founding documents as dry and difficult assignments to
complete – they also reflected upon the fact that it was never a focus or theme
in their early education. If our founding documents are ignored in grade school
how can higher education possibly create an environment of excitement? Like I
mentioned in my introduction, the dominant narrative will prevail, so what does
that say about our current education system that our founding documents are
blatantly ignored? When students reach higher education there is a xenophobic
mental imagery of the Native American and general malaise of the founding
documents that college professors must attempt to educate otherwise.
Early
American Literature taught by Dr. White provides that opportunity in our
education to see the whole picture. My two research posts reveal a different
literary history of
While the
founding documents in Early American Literature reveal a simplicity and
truthfulness that surpasses the boundaries of time, the narrative of the Native
American by the settlers and colonists impart a romanticized version of reality
to a point of dehumanization. At least that was the premise of my second
research post. I had the opportunity to read Native American poetry at the very
beginning of class and at the end of class. Dr. White provided links to Native
American music captured and recorded for playback on YouTube. The music does not
reveal much about the reality of the Native American; it is highly symbolic and
full of meaning. Although, contrasted with Westernized music that was created
for dance and entertainment, one might recognize it does provide yet another
small window into the potential for romanticizing of an entire race of people.
The music and the culture are different. Unfortunately, in Early American
literature and truly not until the past couple of decade do we get an
opportunity to allow the Native to speak their side of their identity. Whereas
before, as my research posts examined, the language in the dominant culture
depicts the Native as a “savage” be it “noble” or “brute”, the Native American
has been othered and romanticized into a mythological figment of American
Literary history. Captain John Smith elicits imagery of the American Native as
dark shrieking figures as does Ms. Mary Rowlandosn – she adds hellish type
adjectives to describe the race. Even our founding fathers could not avoid
sentimentality when speaking of the indigenous population; and when Early
American Literature reaches the romantic era novels such as
Edgar Huntly, the American vision of
the Native is that of a savage force of nature that must be conquered in the
name of progress. This entirety of text regarding the indigenous population of
the new world means Americans get a confusing characterized dualistic image of
the Native American from Early American Literature that prevails even now. The
race becomes mythologized and their natural elements are tamed. Native Americans
are left holding pieces of their identity to sort out for themselves. Only
recently are they regaining empowerment to control the narrative of their own
existence and tell it their way.
Early
American Literature is a tapestry of meaning - different meanings for different
people. It would be impossible for an American Literature professor to possibly
sort out the various meanings and interpretations of our literary past. But as
seen in early education it is all too easy to establish one-sided knowledge of a
subject as we have seen in reactions to the class on the subject of the founding
documents and the Native American. Professors provide material and students
often extract meaning. Hopefully as more of the dialogue is opened for the
Native American the meaning of
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